Nathaniel Hawthorne, Tales & Sketches, 1982, The Library of America - remises Like New

Nathaniel Hawthorne (1804 – 1864) was an American novelist, Dark Romantic, and short story writer.

Hawthornes works belong to romanticism or, more specifically, dark romanticism, cautionary tales that suggest that guilt, sin, and evil are the most inherent natural qualities of humanity.

Many of his works are inspired by Puritan New England, combining historical romance loaded with symbolism and deep psychological themes, bordering on surrealism.

His depictions of the past are a version of historical fiction used only as a vehicle to express common themes of ancestral sin, guilt and retribution. His later writings also reflect his negative view of the Transcendentalism movement.

Hawthorne was predominantly a short story writer in his early career. Upon publishing Twice-Told Tales, however, he noted, "I do not think much of them," and he expected little response from the public.

His four major romances were written between 1850 and 1860: The Scarlet Letter (1850), The House of the Seven Gables (1851), The Blithedale Romance (1852) and The Marble Faun (1860). Another novel-length romance, Fanshawe, was published anonymously in 1828.

Hawthorne defined a romance as being radically different from a novel by not being concerned with the possible or probable course of ordinary experience. In the preface to The House of the Seven Gables, Hawthorne describes his romance-writing as using "atmospherical medium as to bring out or mellow the lights and deepen and enrich the shadows of the picture".

Critics have applied feminist perspectives and historicist approaches to Hawthornes depictions of women. Feminist scholars are interested particularly in The Scarlet Letters Hester Prynne, who realized that she herself could not be the "destined prophetess," but that "angel and apostle of the coming revelation" must be a woman."

Aside from Hester Prynne, the model women of Hawthornes other novels — from Ellen Langton of Fanshawe to Zenobia and Priscilla of The Blithedale Romance, Hilda and Miriam of The Marble Faun and Phoebe and Hepzibah of The House of the Seven Gables — are more fully realized than his male characters, who merely orbit them. This observation is equally true of his short-stories, in which central females serve as allegorical figures: Rappaccinis beautiful but life-altering, garden-bound, daughter; almost-perfect Georgiana of "The Birthmark"; the sinned-against (abandoned) Ester of "Ethan Brand"; and goodwife Faith Brown, linchpin of Young Goodman Browns very belief in God. "My Faith is gone!" Brown exclaims in despair upon seeing his wife at the Witches Sabbath.